Showing posts with label historical site. Show all posts
Showing posts with label historical site. Show all posts

Friday, December 9, 2016

Small rooms of Yuma

It was mild enough when we went there last month, but Yuma gets as hot in the summer as you'd expect for a town within spitting distance of the Mexican border. It's an interesting little place in its own quiet way, just south of the confluence of two mighty southwestern rivers: the Gila and the Colorado.

Thursday, October 27, 2016

Cans, stripes, luck (Carrara NV)

It was a lovely cloudy day on Sunday. I'm still delighted by stunning blue sky days here, but sometimes a brewing storm can be even more beautiful. It wasn't heavy enough to be raining down to ground level much, but the virga/walking clouds were trailing lightly over the hills, and the sunlight was dappling the land through huge crazy cloud patterns.

Raffle prize - a chunk of halite from California.
Approx 25 cm across. Yes, it's pink.
We started out by driving over the hill to Pahrump, where Simon had won two raffle prizes at last week's rock and gem show. (Our batting average lately is astounding, actually. Last time I entered a raffle was at the rock and gem club meeting a few weeks ago, where I also won two prizes, one of them the grand prize. Hey statistics, you just keep looking the other way, okay? Okay.) The prize pickup was handled in a particularly Nevadan way, by meeting up in a casino car park.

Friday, July 15, 2016

Rock ghosts and jailbreaks: back in Pioche


After the rock ghosts of the morning, the Ghost Town Art and Coffee Company was a lovely place to spend an hour or two. Housed in a late 19th century workshop with lovely exposed rough wood, it's now a gallery for Kelly Garni's beautiful found-object desert art. And it's a coffeehouse with a simple menu - hot meals cooked on the barbecue out back, and a range of coffees and frappe drinks. There was a lot to love here - we had a coffee in the morning then came back for lunch!

Ghost Town Art & Coffee has treasure within
First, the room itself has clear eastern light, and the walls are full of interesting objects. The artist's workshop takes up a big part of one walland his work is displayed throughout. It's a simple, open plan - I imagine it's very snug, too, on a cold winter day with the woodstove roaring hot. There are a few tables, and some reading material which we pounced on - two books on the town's mad wild west history, by local author Leo Schafer. They're both out of print and hard to find and we haven't finished reading them yet, so I guess we might be back there yet again some time. Also, the food itself was very tasty! I think my idea of a latte is not quite the same as the local one, but I really enjoyed the burger at lunch and the iced tea.

Then, the art itself appeals very much to me, with its re-use of found objects from ghost towns. I guess there's some question as to at what point such objects become of archaeological interest - it must be a sliding scale - but I certainly have a deep sympathy with anyone who picks up bits of rusty crap off the ground. He makes them into flat wall pieces, and uses cut pieces of old sheet metal as backs for vintage photos. The effect is striking, the colours vivid yet organic. The artist was kind enough to talk with us for quite a while about his finds and his work - I was glad to have been there at a quiet enough time for that. This is only one aspect of what he does, as he has an interesting history as a rock musician as well. I loved this profile article, a copy of which is on the wall.

But we weren't just there to loll about in coffee shops reading local history. No, indeed. We had museums to visit. (Also stopped by the old Opera House - as you do. A future post though, opera houses.)

Wednesday, July 6, 2016

The Evening Star Mine - a mountain bike jaunt in the Mojave desert

One of our favourite desert spots is the Cima Dome / Teutonia Peaks walk in the Mojave National Preserve. We generally park at the Mojave Cross in the shade of a grand juniper tree, and there are graded dirt roads that stretch invitingly north and west towards Kessler Peak and the Ivanpah Mountains. We've looked at them on a number of occasions and wondered to each other what might be up there. Then, at the Kelso depot visitor centre, we bought Michel Digonnet's excellent Hiking the Mojave Desert - and it showed what looked like a pretty do-able mountain bike loop, a few miles up to Copper Cove, rich with old mines from the late 19th and early 20th centuries.

So when a comparatively cool day came along, we thought we'd take our bikes out, ride up the Kessler Peak road, and see what we could find. We loaded up with plenty of water and a White Knight's pannier full of necessities from spare innertubes to a thermos of iced coffee ... and put the feet to the pedals.

Pancake prickly pear
The road was certainly not 2WD suitable, with a high crown that would have more than tickled Harry's belly, besides loose sandy patches and momentum-swallowing gravel. There had been a big storm through a few days before; the surface is quite possibly usually better than this. (Or then again, possibly not ... the National Parks Service has a budget backlog longer than the Teen's Thinkgeek wishlist and this is a wilderness preserve, not Grand Canyon South Rim.)

Anyhow, it was an interesting road. One of the things about this region is the vast variety of rock exposed by the upthrust and erosion as the crustal plate was alternately stretched, squeezed and twisted. Riding or walking through alluvial fan, you see just all kinds of things. Lovely glittering quartz and its friends are over-represented here. When I could drag my attention away from just surviving the next few seconds, or luckily was off the bike to walk it through some especially rocky or washed patch of road, the contrast of colours and textures were striking. The vegetation is lush this summer, Joshua tree 'forest' and all sorts of cholla and prickly pear cactus among other things.

Does this pic make me look intrepid? Nah.
And, disclosure: I'm a 'fraidy-cat. I wish I had Simon's gung-ho confidence on a bike, but I have to substitute grit, and walking the hard parts. I kept just locking up when the wheels started dragging in sticky, stop-you-instantly sand or washed out mini canyons interspersed with fist-sized chunks of rock. Embarrassing. Stressful. (It wasn't the terrain as much as the terror. Last time I came off my mountain bike I was off it for a year with a rotator cuff injury and my body still remembers this, since that year was only up a few months ago.) But I finished the ride, did not fall, did not die of heart failure, and did not swear at my long-suffering companion. Proud of self.

I was somewhat consoled for my timidity when we met a party in a big 4WD ute/flatbed. They were stopped in the roadway so we, necessarily, stopped behind them, and we chatted a few minutes ... they had been out playing in the desert too. And they thought we were "hardcore," riding bikes. Well - maybe. I don't feel very hardcore.

They headed away back towards the paved road, and we continued on our way. We didn't have a large scale topo map, so we were pretty careful to stick to the main road. As it rose up the hill we started to spot old mine workings, including a large wooden headframe. We kept on until we found roads heading up towards that wooden structure, which literally has bits swinging in the breeze.

This is the Evening Star Mine, where tin, copper, and tungsten were extracted. You can look down through the picturesquely rusting safety cap and see the vertical extent of the number 2 shaft - as well as get down into the trench between it and number 1. We saw the old powder house, the ruins of a metal cabin, and traces of several other buildings up on the plateau westward of the main workings.
 
Headframe for hauling and milling tin
Any old iron
The powder house 
75 feet or more down #2 shaft
Safety cap, thx NPS!
Spot the turquoise blue pebbles, e.g. at lower RH
I was fascinated by the tailings - copper having been mined here, there are pretty blue and green pebbles, some with green crystalline layers. Many of the stone and rock pieces underfoot are a handsome olive green; others are white and glitter with tiny crystals. I even saw one pebble that was striped in four colours: ochre, deep grey, cream, and bright turquoise blue.

Before starting back, we stopped in the shade of a Joshua tree for iced coffee and fresh dates. And observed a fire ring nearby ... which means we can come back and camp some time!

As we came back down the rough road, the early evening saw the rabbits and other skitterers coming out to play. Mat time on the blanket next to Harry, and then we re-packed the car full of bikes and headed home through another sublime southwest evening.




Thursday, June 23, 2016

No one even knew his name: Pioche, NV

At Boot Hill Cemetery, Pioche, the graves
are decorated with boots, shoes, and flowers.
That's Pee-oatch, not Pee-osh. I wonder what Monsieur Pioche would think? Guess as long as that ore keeps being dug out and trucked off, maybe he wouldn't be too bothered.

They certainly pulled a lot of money out of the ground around here, and probably more than the $25 million of silver that showed up on the reports.

Pioche was a pretty rough town even by Western standards, back in the day. They say that of the first 76 deaths in the town, 75 were from unnatural causes. Or something like that. The precise story varies. The several cemeteries tell a tale ... this is the smallest and most rustic, and the only one we went to so far.

"Shot by a coward
as he worked his claim
No one even knew his name
Pioche Nev" 
Visiting the grave sites, lead poisoning seems to be right up there: "shot by officers 5 times", "shot while working his claim", "shot by in back 5 times from ambush". They buried these men with their boots on, and they say that's why it's called Boot Hill cemetery (one of many).

This is what they had in mind when they called it the Wild West, I suppose. It doesn't sound like the most fun a person can have (for illustration, watch an episode or two of Deadwood.) Makes for sobering visiting, and a half-disbelieving sense of unreality yet again.

Apart from a dodgy history and a lot of graves, Pioche is a quaint little town insinuated into the side of a steep hill and spreading down its slopes most of the way to the 93. Strictly, it's an unincorporated community. This surprised me as it's also the county seat of Lincoln County. Off Main St, the roads are narrow and twisty - luckily we didn't meet any oncoming traffic. Pioche has a variety of gritty historic buildings, including, notably, the courthouse that cost a million dollars, which you'll have to click through to or wait til next time we go because we, driving around bemused, clean forgot to photograph.

Aerial tram


If you like industrial ruins (yes! I do!), Pioche does have a fantastic aerial tram, mostly intact but out of service now. It dates to the 1920s or so, and is complete with buckets and 'danger' signs.

We spent a while poking round an antique store, and I bought three 1920s to 40s surveyor's notebooks detailing survey records of a nearby silver mine - mainly because I like the books themselves, oh such wabi-sabi, full of obscure hand-written pencil notes.

The Bristol mine can be seen, and its associated ghost town too, (if the landowner grants permission - it's still owned by the Company) but it sounds like it's an off road adventure so it goes on the someday list for now.


Back to Kershaw Ryan to cool our feet in the wading pool,
then for a quiet evening with a campfire.

Itinerary

Saturday: North on 93. Turn onto 321 and to Pioche. Northeast on 321 to rejoin 93. 93 south, back to Caliente and Kershaw-Ryan

Friday, June 10, 2016

Springs and the Calligraphy Highway pt 3: Meadow Mountains



This post might have triggering content

After a gentle walk along the river an reservoir at Pine Valley, we packed up. We were invited to stay another night, but Monday will come, alas, and with it bring work.

We drove back out and turned north. A few miles from Central is the site of a notorious, inexplicable mass murder: the Mountain Meadows massacre. There are four separate sites; a men's memorial and a women's memorial, a gravesite with cairn, and an overlook of the cairn and the valley where the tragedy took place in autumn 1857.

No one really knows why the massacre happened. The Fancher pioneer party, who had camped near a spring to let their beasts forage, were besieged, during which several men died. Then, under a white flag, over a hundred men, women and children were murdered. Only the toddlers were spared - those thought too young to talk. Apparently at least one baby died from the same bullet that killed its father. There is a report that some of the girls were raped before they were murdered.

There's no doubt that the mass murder was carried out by local Mormons and Indians working in concert. One local Mormon leader ended up taking the fall for it. John D. Lee went on the run (back when that was totally a thing in the wild west) and operated Lee's Ferry above the north-eastern end of the Grand Canyon for several years before he was indicted and executed. (Before there was a bridge at Navajo Crossing, the ferry service a few miles upstream was the last even remotely predictable crossing of the Colorado for a few hundred miles. The area was extremely remote - it's still fairly remote! - and they didn't arrest him until 1874.)

But really, John Lee can't actually have been the only one who was responsible - why was he made the scapegoat? Why was this thing done in the first place? How can it ever have seemed like a good idea to anyone? There were plenty of inflammatory factors, but how the transition was made from outrage over trespassing, even allegations of well-poisoning, etc to planned mass murder including children, is beyond me - maybe always will be beyond me. There are some failures of imagination that I can't feel are failures of character.

The overlook is peaceful enough, and so is the valley's gently rolling, tree-dotted, fenced pastureland. The landmark site is well cared for and has been brought into being by the descendants of the murderers and the victims. It is a good place for quiet reflection. As we read the names of the dead, my sight blurred. Sometimes, we humans are a strange and terrible species, and sometimes it is a strange and terrible world we make.